Where the Night Claims the Fells

Lapland reanimated.


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Scenes created of carcasses, animal parts and details found in Lapland nature. Reanimated photomontages and found compositions.

Late Bloomer
2023
“Summer passed yet bloom the sealed days”

Soaring With My Heart
2023

Midsummer Ball, 2023

Goodnight Vole
2022

Night Stroll, 2020
“Beasts stroll on the black moss with silent steps.”
No! I Must Dance, 2021

Lemmings disco through plague times. This scene was inspired by a party that turned into a super spreader event during the early Covid-19 days.

The Magpies See It
2021

Sidenote: The Skull Fortress

A story about my first animal skull from around 1988.

When I was maybe 6 years old, I saw a cow being slaughtered on our neighbour’s farm. There was so much blood on the snow. Her legs, entrails and head were cut off and left for the farm dogs.

I saw the severed head and I just needed to have it. I waited for people to leave and came back with my little sledge. I managed to roll the bloody head on the sledge. I pulled it to my hideout play cabin in the woods. It was a struggle; I was puny, the head was really heavy, and the snow was deep.

But I got it. And I loved it. My parents were a bit grossed out but they let me keep it eventually. In the spring my father helped to clean the skull. It became my treasure. I named my play cabin “The Skull Fortress” and mounted the skull over the door.

In the coming years, we had many fights with my mom about not letting me take home the rotten carcasses we stumbled upon on our nature trips. I am still devastated not getting the seal skull we found on the shore of the Arctic Sea. Oh, and that beautiful, mummified cat! What a waste to leave such treasures behind!

Despite these attempts of censorship (and maintaining hygiene), I managed to grow my collection of skulls and bones. I played happily in the rotten smell of the Skull Fortress for many years, being watched over by the hollow eyes of the dead animals.

Dreams Have A Deadline Too, 2011

Rudolph, 2020

The Web in between Sleep and Wake, 2020

Sleeping Birds Sing Silence, 2020

River foam under rapids looks like a bird song. Rotting mushrooms gaze up from the forest floor like dopefiend’s crazed eyes. A long-dead tree has brushstrokes of van Gogh, a stone is from a Munch painting, and look, there are orphaned vaginas on the side of that old pine tree.

My material comes from the Lapland wilderness. My eyes are deconstructing the scenery, collecting interesting details, picking up things that could be something else.

Carcasses are the main characters. Actors frozen in time in the middle of their transitioning to different planes.

These images might appear grotesque or unsettling at first glance. But I think there lies tranquil beauty in memento mori images and I’ve always felt there is healing humour in the macabre, like the Kutna Hora chapel or Tibetian Buddhist skull art. Compassion to our shared tragedy of being born into a passing form.

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