Sidenote: The Skull Fortress
A story about my first animal skull from around 1988.
River foam under rapids looks like a bird song. Rotting mushrooms gaze up from the forest floor like dopefiend’s crazed eyes. A long-dead tree has brushstrokes of van Gogh, a stone is from a Munch painting, and look, there are orphaned vaginas on the side of that old pine tree.
My material comes from the Lapland wilderness. My eyes are deconstructing the scenery, collecting interesting details, picking up things that could be something else.
Carcasses are the main characters. Actors frozen in time in the middle of their transitioning to different planes.
These images might appear grotesque or unsettling at first glance. But I think there lies tranquil beauty in memento mori images and I’ve always felt there is healing humour in the macabre, like the Kutna Hora chapel or Tibetian Buddhist skull art. Compassion to our shared tragedy of being born into a passing form.










